Chappell Roan closed a defining chapter of her career on March 21, delivering an emotional headlining set at Lollapalooza Brazil. The performance marked the 33rd and final show of her Visions of Damsels & Other Dangerous Things Tour, ending a nearly ten-month global run.
Addressing the São Paulo crowd, Roan paused mid-set to reflect on the milestone. “So this is our 33rd show of the damsels tour… I do not know when I’ll be going on tour again. So this is the last one. I’m so grateful it’s here and all around the world,” she said. Gratitude extended beyond the audience, as she added, “Thank you to my crew, and my security and my band and all the… everyone behind the scenes.”
The singer returned to that theme moments later, acknowledging the role Brazilian fans have played in her rise. “This festival really changed my life,” she told the audience. “It’s so crazy that I have people who listened to my music here… saying, ‘Come to Brazil!’ We’re here, so thank you. I feel very loved, and I love you.”
Her closing night unfolded against a backdrop of heightened attention online. Hours before taking the stage, Brazilian footballer Jorginho publicly criticized a member of Roan’s security team, alleging an “extremely aggressive” interaction involving his family at a hotel. In a statement shared March 21, he claimed his daughter had briefly approached to confirm the singer’s identity before a guard intervened and warned of a formal complaint. The post concluded with a pointed message: “Without your fans, you would be nothing.”
Reaction across X quickly split. One side directed criticism at Roan, while another argued the incident should not be attributed to the artist herself.
The conversation has followed Roan throughout recent months. Earlier in March, she confronted paparazzi during Paris Fashion Week after being surrounded outside the Alexander McQueen show, filming the encounter and calling out repeated invasions of personal space.
The tour itself began on May 30, 2025, in Warsaw at Orange Warsaw Festival and spanned Europe, North America, and South America before concluding in São Paulo. Its setlist pulled heavily from The Rise and Fall of a Midwest Princess, alongside breakout singles “Good Luck, Babe!”, “The Giver,” and “The Subway,” plus a cover of Heart’s “Barracuda.”
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