We’re halfway through summer 2025, and July brought a wave of exciting releases. From surprise drops to long-awaited returns, this month delivered both creative risks and defining moments. Tyler, The Creator shocked fans with his ninth studio album Don’t Tap The Glass, while Justin Bieber made a sleek R&B comeback with Swag. July also saw the return of Travis Scott with JackBoys 2, Noah Cyrus with the haunting I Want My Loved Ones To Go With Me, and Kesha with her fierce independent statement Period. Based on our ratings, here’s a detailed rundown of the most notable July albums.
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MASA — YoungBoy Never Broke Again (6.8)
A sprawling 30-track release, MASA is another example of YoungBoy’s relentless output. There are glimpses of brilliance—“Alter” stands out—but the project’s length leads to noticeable repetition and fatigue.
Would You Still Love Me If You Really Knew Me? — Fletcher (7.0)
Fletcher leans into vulnerability with stripped-down production and candid lyricism. While the album occasionally struggles to leave a strong impact, “Hi, Everyone Leave Please” is a powerful centerpiece.
JackBoys 2 — Travis Scott (7.0)
A glossy sequel to the original 2019 project, JackBoys 2 blends collective energy with legacy-minded production. Despite standout verses and polished beats, the album suffers from a lack of cohesion.
Sex Hysteria — Jessie Murph (7.1)
Jessie Murph’s second album is daring and genre-blurring—melding country-trap with neo-soul. Her vocals shine throughout, but the project doesn’t quite reach the emotional depth of her debut.
Moisturizer — Wet Leg (7.1)
Wet Leg matures beyond their quirky debut on Moisturizer, delivering sharp production and more emotionally resonant tracks. It’s a promising evolution, even if it doesn’t fully reinvent their sound.
I Want My Loved Ones To Go With Me — Noah Cyrus (7.1)
Noah Cyrus returns with a hazy, introspective folk-pop album. The atmosphere is haunting, and her voice remains compelling, though the record feels like a creative retreat rather than a leap forward.
Voyeur — Alessi Rose (7.1)
A low-key alt-pop project driven by emotional intimacy and nocturnal moods. Voyeur is lyrically cohesive and well-crafted, but lacks the hooks to leave a lasting impression.
This Is For — TWICE (7.15)
TWICE confidently steps into global pop with their first full-length English project. Sub-unit standouts like “Dat Ahh Dat Ooh” and “Battitude” shine, though some tracks feel repetitive by comparison.
Beloved — Giveon (7.2)
Giveon continues perfecting his signature blend of soul and R&B. Beloved delivers smooth production and heartfelt storytelling, diving deeper into personal themes with grace and restraint.
Sidequest — Michael Clifford (7.3)
The 5SOS guitarist turns solo with a nostalgic, game-inspired emo-pop journey. Sidequest is a focused, well-produced debut that embraces identity and escape in equal measure.
We Wanna Party — Tyla (7.5)
Tyla delivers her most confident work yet with this mixtape. Infectious Amapiano beats and vibrant vocals make We Wanna Party a perfect summer listen that confirms her global breakout potential.
Swag — Justin Bieber (7.5)
Bieber reclaims his R&B roots with moody, atmospheric production and introspective lyricism. Swag feels refined and personal, with highlights like “Daisies” and “Go Baby” leading the way.
Period — Kesha (7.6)
Kesha makes a triumphant return with her first independent release. Period mixes satirical pop with raw honesty, reclaiming her voice after years of legal battles. A bold, chaotic, and empowering record.
You’ll Be Alright, Kid — Alex Warren (7.7)
Warren’s debut full-length channels grief, growth, and resilience into hopeful pop-rock. It’s personal and uplifting, solidifying him as more than just a viral personality.
Don’t Tap The Glass — Tyler, The Creator (8.1)
Tyler’s ninth album is a genre-bending triumph. Mixing electro-funk, Miami bass, and his sharpest production yet, Don’t Tap The Glass is his most vibrant, fully realized work to date.
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