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Drake has uploaded the full FOMO film to his official YouTube channel, giving fans a chance to watch the entire project after its livestream premiere on September 15. The return of the footage also brings back several previously unheard songs that Drake previewed throughout the surreal visual experience.

The Fear of Missing Out film originally premiered as part of a livestream that began around 10:30 p.m. ET after a delay. Rather than functioning solely as a visual project, the roughly hour-long film became an unexpected showcase for new music, with unreleased material appearing alongside videos for previously released songs.


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Among the most discussed moments is Drake’s collaboration with Don Toliver. The film featured a slowed, atmospheric interpolation of Ella Langley’s “Choosin’ Texas,” with Toliver appearing on the new version. Another unreleased Drake-Toliver collaboration surfaced during the film and reportedly takes a more ballad-like approach, adding to the country-influenced sounds that have appeared throughout Drake’s recent creative output.

Yeat also appears on “Miss My Dawg.” The track received another major spotlight when it was later included on Yeat’s surprise COCOON EP, releasing September 17. A separate dancehall-inspired song generated attention for its lyric “pray for Gaza.

The project had already been surrounded by weeks of mystery before its September 15 premiere. Drake first teased FOMO through a CD jewel-case image in August, followed by family photos carrying the “FOMO 2026” branding and footage of him racing across the water in a lime-green speedboat.

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He described the project as “self funded surrealism,” framing the film around making the most of one summer and choosing action rather than hesitation. The concept carried into the finished footage, which featured appearances from Winnie Harlow, Sandi Graham and Pinkchyu.

For fans, the YouTube upload changes how the FOMO music can be experienced. Several of the unreleased songs had briefly become difficult to revisit after the original footage was made private, meaning the full film now provides a centralized way to hear the new material again.

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